Skip to main content

Header Navigation

  • Announcing the 2026 Knight Arts + Tech Fellows

    Five new media artists, LIZN'BOW (Liz Ferrer and Bow Ty), Miguel Novelo, Rhonda Holberton, Taeyoon Choi, and Wesley Taylor have been named Knight Arts + Tech Fellows

    Meet the Awardees!
    This video is a result of the recorded brainwave activity of a diverse group of participants as they engaged with a range of scents, reflecting on personal memories and speculative futures. The visual quality of the video showcases a colorful amalgamation of textures and hues. Additionally a small round resin and bronze sculpture accompanies the video.
  • Announcing the 2026 Wagner Arts Fellows

    Boston artists Tomashi Jackson, Lucy Kim, and Yu-Wen Wu receive unrestricted grants supporting socially engaged and culturally innovative practices

    Meet the Artists!
    In an exhibition setting, three works are visible. On the far right wall, small sculptures are arranged in a large rectangle. Towards the left, eight strands of circular, red porcelain pieces hang from the ceiling and pool on an elevated platform. On the far left and center back, various objects with cultural resonance—tea, gold, lotus leaves, etc.—are arranged along the wall. On the back center wall also features a video projection.
  • Announcing the 2026 USA Fellowship

    Marking two decades of unrestricted support, USA awards 50 Fellows working in All Stages, All Ways, Always.

    Meet the Fellows
    2026 USA Fellowship Homepage Tile
  • Announcing the 2026 Berresford Prize

    Lori Lea Pourier receives the Berresford Prize, awarded to a cultural worker who contributes to the advancement, well-being, and care of artists in society.

    Meet the Awardee
    2026 BFP Homepage Tile border
  • 2025 Creative Impact Awardees

    Sixty artists and 57 organizations are recognized for their contributions to the Great Lakes region

    Creative Impact Awardees
    Graphic featuring a blurred image within a circle, and four blue droplets arranged within the circle.

United States Artists supports artists and their essential role in society.

About Us

Stay in Touch

Large-scale, abstract ceramic sculptures are arranged in a room with blue carpet, each with a large lightbulb affixed to the top emitting a warm glow. In the foreground, an elongated sculpture stretches across the floor before jutting up toward the ceiling.

Sign up to receive the latest news, announcements, and awardee highlights from USA.

By signing up, you agree to receive emails from United States Artists.

  • A person wearing a white headscarf and black shirt holds a clay plate close to their mouth, appearing to bite or taste its surface against a black background.
  • A brown skinned man with short black hair sits outside a wood building. He is wearing a long sleeve button up blue shirt and glasses. He is sitting at a shavehorse shaping a chair part.
  • The weaver sits barefoot on a chair, leaning toward the loom, wearing a dark dress with delicate gold dots and long orange feather earrings. Sunlight filters in through a nearby window, illuminating the scene with a calm, natural glow. The overall atmosphere conveys deep concentration, cultural continuity, and the living practice of ancestral art in a contemporary studio setting.
  • A man with long hair in his studio looks at one of his soft sculptures which resembles a large doll of sorts. He is surrounded by lots of sculptures and weaving that are in progress.
  • A South Asian woman in a deep squat, hands joined at eye level with fingertips touching. She wears a fitted, sleeveless grey Kurta top paired with deep blue harem pants. Her hair is pulled back into a bun, and her gaze is directed to the right
  • Norwood Viviano is working with the Museum of Glass Tacoma's Hot Shop team to create a blown glass three-dimensional population graph of New York City during Viviano’s 2017 residency at the Museum of Glass, Tacoma. This population graph is part of the larger installation, "Manufacturing Cities." which includes 24 graphs examining population trends as they are connected to manufacturing  in US cities over approximately 400 years.