![A slender woman with brown skin sits for her portrait, smiling slightly. She wears a light pink turtle-neck sweater, dangling earrings, and magenta head wrap.](https://usa-p-36588810407f.b-cdn.net/bc9827dc-14a2-425e-85b3-7e52fad9d587/winnie-owens-hart-headshot.jpg?crop=1600%2C1600%2C0%2C0&width=1000)
Photo by Floyd Parks.
“FREEDOM. Time moves on with or without artists or art in this society. Therefore, USA becomes a critical element in our lives and practices. Hopefully, its continued support will allow all artist to speak freely through their works”
Winnie Owens-Hart is a curator, artist, educator, scholar, filmmaker, and critical thinker.
Owens-Hart’s life’s work is her interest in the creative process, the historical significance of clay and clay workers globally, and the preservation of all aboriginal ceramics.
She imagined, as a very young ceramicist, what pot-making and life must be like in an African pottery village. Initially this wish was realized in 1977 in a Nigerian pottery village and continues today, for the past ten years, in a traditional pottery village in Ghana.
Owens-Hart has been awarded a National Endowment for the Arts Fellowship; a Renwick Fellowship and a Faculty Research Fellowship from the Smithsonian; was an international USA representative for FESTAC in Nigeria; and had her work selected for the 9th Biennale Internationale de Céramique d’Art in Vallauris, France.
Donor -This award was generously supported by the Ford Foundation.
This artist page was last updated on: 07.10.2024