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Ashwini Bhat

She // Her // Hers

Transdisciplinary Artist

Penngrove, California

A portrait of a South Asian artist with brown skin, dark brown eyes, and long dark hair falling on the right side of her face. She's looking straight into the camera, posed in front of a stucco wall. She is wearing a black silk blouse with spaghetti straps, and on her left ear is a hanging pearl earring from India.

Photo by Forrest Gander.

After thirty-five years in Southern India, transdisciplinary artist Ashwini Bhat now lives and works in the foothills of Sonoma Mountain, California. Coming from a background in literature and classical Indian dance, Bhat creates installations using bronze and ceramic sculptures, video, and text, to develop a unique visual language exploring the intersections between body and nature, self and other. Her work — with its ecofeminist undertones — shows the influence of syncretic shrines, rituals, and non-Western metaphysical concepts of empathy for the more-than-human. Bhat sees her work as an act of (re)mapping consciousness, contributing to a spiritual or psychological archive, with an emphasis on the transformative aspects of place. 

Bhat is a 2024 John S. Knudsen Prize winner from the Crocker Art Museum and a 2023 United States Artists fellow. She has also received the Howard Foundation Award for Sculpture and the McKnight Foundation Residency Fellowship. Her sculptures can be seen in museums in the USA, India, Japan, China, and in many private collections. Her work has been widely reviewed and featured in Hyperallergic, Los Angeles Review of Books, Bay Nature, New City Mag, American Craft Council, Brooklyn Rail, and many other notable publications. 

Bhat is a certified naturalist at the Osborne Preserve, a research site for Sonoma State University’s Center for Environmental Inquiry. In 2025, the first early mid-career survey of Bhat’s work, “Ashwini Bhat: Reverberating Self” was exhibited. Her artist monograph is forthcoming with Radius Books in 2026. She is represented by Shoshana Wayne Gallery, Los Angeles, USA, and Project 88, Mumbai, India.

Donor -This award was generously supported by the Windgate Foundation.

This artist page was last updated on: 11.12.2025

Bronze and patinated steel sculpture by Ashwini Bhat. The sculpture consists of a steel frame surrounding a bell and is bathed in the natural light of the landing’s greenhouse-like glass enclosure.

What Will It Take / For Us To Awake? by Ashwini Bhat, 2024. Bronze and patinated steel. A permanent installation at the Asian Art Museum, San Francisco, commissioned by the Society for Art & Cultural Heritage of India (SACHI).

Photo by Kevin Candland.

In the foreground is a work by Ashwini Bhat that features ceramic and collected clay assembled in a circular sculpture. Behind it is a video projected onto a screen.

Reverberating Self by Ashwini Bhat, 2024. Kinetic sculpture with patinated steel, glazed ceramic, and video. Installation view of Ashwini Bhat: Reverberating Self, an early mid-career survey exhibition at the John Michael Kohler Arts Center, Wisconsin.

Photo courtesy of the artist and John Michael Kohler Art Center.

Still from Ashwini Bhat Video showcasing ceramic beads with calla lilies. The thread of beads is laid down in a swirl pattern.

The Morning After The Fire Swept Through, a solo exhibition by Ashwini Bhat at Shoshana Wayne Gallery, Los Angeles, containing a body of work that continues Bhat’s ongoing, field-based project "Assembling California," a deeply personal and ecological mapping of presence, transformation, and ritual.

Video courtesy of the artist and Shoshana Wayne Gallery.