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Chenjerai Kumanyika

He // Him // His

Critical Audio Documentarian and Organizer

New York, New York

A man with a beard stands in an outdoor corridor of brick buildings, looking at the camera in a navy short-sleeve shirt with colorful abstract patterns; behind him is a poster with a gymnast and “piauí” text.

Photo by Marcelo Saraiva.

I make narrative audio journalism and documentaries to investigate how power works and to help people imagine something better. My practice braids archival research, field reporting, and oral history with music and scene-based sound design.”

Chenjerai Kumanyika is an associate professor of journalism at NYU’s Arthur L. Carter Journalism Institute and an award-winning narrative audio creator whose work sits at the intersection of journalism, public history, and organizing. Kumanyika is the creator, executive producer, and host of Empire City: The Untold Origin Story of the NYPD, a chart-topping series featured in The New York Times. He co-created and co-hosted the Peabody Award–winning podcast Uncivil and collaborated on Scene on Radio’s landmark series Seeing White. Across these projects, he blends archival research, field reporting, and character-driven storytelling to examine race and power, the political economy of media, and the histories shaping public safety today.

Beyond the studio, he builds impact campaigns that connect journalism to action — partnering with community organizations, labor groups, and educators to develop live events, teach-ins, and curriculum that move audiences from listening to engagement. He serves on the National Council of the American Association of University Professors (AAUP), organizing around academic freedom and the future of higher education, and sits on the boards of Street Poets, Resolve, Hammer & Hope, and The Moth. In the classroom, he teaches interdisciplinary critical thinking about power and mentors emerging journalists through rigorous, ethics-forward training in reporting, interviewing, and sound design.

His current work expands this model through Unruly Subjects, a new project that pairs timely conversations with crafted documentary segments, music, and scene-based reporting. Across mediums, Kumanyika’s goal is consistent: tell unforgettable stories that clarify how power works and help listeners imagine, and organize for, something better.

Donor -This award was generously supported by donors of the USA Fellowship Awards program.

This artist page was last updated on: 01.14.2026

“They Keep Us Safe,” Episode 1 of Empire City, podcast hosted by Chenjerai Kumanyika.

“Vocal Color in Public Radio” (Excerpt)

This summer during the Transom Catalina workshop, I produced my first public radio piece. While writing my script, I was suddenly gripped with a deep fear about my ability to narrate my piece. As I read the script back to myself while editing, I realized that as I was speaking aloud I was also imagining someone else’s voice saying my piece. The voice I was hearing and gradually beginning to imitate was something in between the voice of Roman Mars and Sarah Koenig. Those two very different voices have many complex and wonderful qualities. They also sound like white people. My natural voice — the voice that I most use when I am most comfortable — doesn’t sound like that. Thinking about this, I suddenly became self-conscious about the way that I instinctively alter my voice and way of speaking in certain conversational contexts, and I realized that I didn’t want to do that for my first public radio style piece.

Essay by Chenjerai Kumanyika for Transom.

“Ruth Wilson Gilmore Makes the Case for Abolition.” Interview with Ruth Wilson Gilmore produced and hosted by Chenjerai Kumanyika for The Intercept.