Eric-Paul Riege (Diné/Navajo) is a weaver and fiber artist working in collage, durational performance, installation, woven sculpture, and wearable art. Using weaving as both means and metaphor to tell hybrid tales that interlace stories from Diné spirituality with his own interpretations and cosmology, Riege understands his artworks as animate and mobile. His practice pays homage and links him to generations of weavers in his family who aid him in generating spaces of sanctuary.

Riege’s recent solo exhibitions include ojo|-|ólǫ́ at the Bell Gallery at Brown University, Providence (2025) traveling to Henry Gallery in Seattle (2026), iiZiiT [3]: RIEGE Jewelry + Supply at Canal Projects, New York (2025), Hammer Projects: Eric Paul Riege at the Hammer Museum, Los Angeles (2022–2023), and Hólǫ ́ —it xistz at the Institute of Contemporary Art Miami (2019). His recent group exhibitions include the 24th Biennale of Sydney in Australia (2024), Indian Theater: Native Performance, Art, and Self-Determination (2023–2026), Prospect.5 Triennial in New Orleans (2022), and the Toronto Biennial of Art (2022). 

His work is in the collections of the National Gallery of Art, Hammer Museum, ICA Miami, LACMA, Denver Art Museum, Montclair Art Museum, Forge Project, among others.

He received his BFA in Studio Art and Ecology, with a minor in Navajo Language and Linguistics, from the University of New Mexico. Riege was born and is based in Na’nízhoozhí (Gallup, New Mexico).