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Lily Hope

She // Her // Hers

Cultural Continuity Artist

Juneau, Alaska

An Alaska Native artist with a short haircut stands on a sandy beach with mountains behind her. She is looking over her right shoulder, not quite at the viewer, while wearing a five-color curvilinear designed Chilkat Dancing Blanket.

Photo by Sydney Akagi.

My work emerges from a foundation of traditional training in Northwest Coast textiles, elevating Chilkat design to explore both historical and contemporary cultural expression.”

Lily Hope (Tlingit) is a cultural weaver, curator, and mentor based in Juneau, Alaska. A leader in the preservation and evolution of Northwest Coast textile traditions, Hope carries forward the legacies of her mother, the late master weaver Clarissa Rizal, and Jennie Thlunaut, the last traditionally trained Chilkat weaver of her generation. Her practice centers on Chilkat and Ravenstail weaving, disciplines that intertwine ancestral knowledge, community strength, and artistic innovation.

She directs Wooshkindein Da.aat Lily Hope Weaver Studio, where she creates monumental robes, teaches intergenerational weaving, and leads community-centered projects including The Giving Strength Robe, Weaving Our Pride, and For Our Children: Chilkat Regalia in the Lineage of Clarissa Rizal and Jennie Thlunaut. Through her mentorship, dozens of emerging weavers have advanced their skills and deepened their cultural connection.

Her works reside in major museum collections, including the Smithsonian American Art Museum, the Anchorage Museum, the Alaska State Museum, and the Portland Art Museum, among others. Her curatorial projects and residencies span the Smithsonian National Museum of the American Indian, Sealaska Heritage Institute, and the Fralin Museum of Art. She is the recipient of numerous fellowships and awards, including support from the Native Arts and Cultures Foundation, Rasmuson Foundation, and The Center for Cultural Power.

Hope’s art honors Indigenous resilience and creative sovereignty — each weaving a living thread between ancestors, contemporary communities, and generations yet to come.

Donor -This award was generously supported by Rasmuson Foundation.

This artist page was last updated on: 01.14.2026

A person standing outdoors on a wide, open landscape, their back to the camera. They wear a large, handwoven Chilkat-style ceremonial robe that spreads out in a triangular shape, its long white fringe sweeping outward. The robe’s intricate formline design — in black, golden yellow, white, soft green, and brown — depicts stylized faces and shapes from Northwest Coast Indigenous tradition. The figure stands against a dramatic backdrop of low mountains, cloudy gray skies, and distant mist. The image captures a moment of strength and reverence, symbolizing cultural continuity and the living movement of traditional weaving in the natural world.

Between Worlds Chilkat Dancing Blanket by Lily Hope, 2023. In the permanent collection of Houston Museum of Natural Science.

Photo by Sydney Akagi.

A small handwoven Chilkat-style mask hanging from the branch of a tree in a green forest. The weaving features a bold, symmetrical face design with black, gold, white, and deep blue geometric patterns framed by long strands of grayish hair extending from the top. The mask’s lower edge ends in fine white fringe tipped with copper cones, which catch the light softly. The forest background is blurred, emphasizing the woven mask as the central focus. The piece blends traditional Northwest Coast weaving techniques with natural materials, symbolizing cultural vitality, protection, and connection to the land.

Protecting Our Grandmother's Wealth by Lily Hope, 2022. Chilkat technique woven face wall hanging. In the permanent collection of The Burke Museum.

Photo by Sydney Akagi.

A person standing outdoors among green trees wearing a woven Chilkat-style armband. The armband is predominantly golden yellow with black and white formline design, finished with a short white fringe. The armband’s design features a stylized figure or crest motif typical of Northwest Coast Indigenous weaving. The person stands confidently, wearing black overalls over an olive-green shirt and one arm bent across the chest, looking slightly off to the side with a calm, thoughtful expression. The soft, natural light and blurred forest background emphasize the connection between cultural regalia, craftsmanship, and place.

Black Lives Matter, Chilkat Armband by Lily Hope, 2021. In the permanent collection of Washington State History Museum.

Photo by Sydney Akagi.