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Lucy Kim

she//her//hers

Interdisciplinary Visual Artist

Cambridge, Massachusetts

Lucy, an Asian woman with shoulder-length black hair, stands in front of sculptures arranged on shelves. She wears a red patterned blouse and clear glasses, and she smiles at the viewer.

Photo by Craig Bailey.

As a painter influenced by photography, I think of vision as my main medium. How is it shaped? How does it expand or contract? Vision relies on habit, which can make me a liability in my own work. So, I try to follow the work instead. It takes me to strange, unexpected places.”

Lucy Kim is an interdisciplinary artist who works across painting, sculpture, and biological media. In her hybrid works, she embraces distortion as a tool to deconstruct how we see what we see: the relationship between our evolved vision-centricity, constructed socio-cultural systems, and personal desires.

Kim is a recipient of the 2024 Howard Foundation Fellowship, 2022 Creative Capital Award, 2019 Mass Cultural Council Grant, 2017 ICA Boston James and Audrey Foster Prize, 2014 Artadia Award, and the MacDowell Fellowship. She was an artist-in-residence at the Broad Institute of MIT and Harvard, and at the Moody Center for the Arts at Rice University. Kim has exhibited her work at the Henry Art Gallery - University of Washington, Seattle, WA; Institute of Contemporary Art, Boston, MA; Institute of Fine Arts at New York University, New York, NY; deCordova Sculpture Park and Museum, Lincoln, MA; Tufts University Art Gallery, Medford, MA; Tang Teaching Museum at Skidmore, Saratoga Springs, NY among others. Kim is Associate Professor of Art at Boston University and is based in Cambridge, Massachusetts.

This artist page was last updated on: 03.24.2026

In the center of the room sits a wooden bench. Along each side wall are works from Lucy Kim. Each work is composed of smaller sheets of paper and aluminum respectively, layered to form a larger sheet of paper and aluminum. In the center back wall, a print is showcased: visually it looks like large strokes of ink mark the paper.

Installation view of Lucy Kim: Mutant Optics at Henry Art Gallery, University of Washington, Seattle, 2024. Bacterial melanin on paper, aluminum hardware, dimensions variable.

Photo by Jueqian Fang.

Various shades of bacterial melanin create broad strokes on layered sheets of paper hung on a wall. Aluminum hardware holds the sheets up at the top, allowing the bottom of each sheet of paper to hang freely.

Tagged Vanilla Pods by Lucy Kim, 2024. Bacterial melanin on paper, aluminum hardware, 61.5 × 79 inches.

Photo by Jueqian Fang.

Oil painting on cast surface of corn kernels. Upon closer examination, the individual shapes of corn kernels in varying shades of green, with red dots on the inside of each, can be seen. The right side of the painting seems to orient the kernels vertically, while the left side orients them horizontally. Visually from afar, the painting has a blurred ghostly effect.

Place. (Green/Red) by Lucy Kim, 2025. Oil paint, acrylic paint, urethane resin, fiberglass, epoxy, 20 × 30 inches.

Photo by Julia Featheringill.