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Raheleh Filsoofi

She // Her // Hers

Itinerate and Interdisciplinary Artist

Nashville, Tennessee

A woman with long dark hair wearing a light-purple headscarf and gold earrings looks directly at the camera against a dark background. She has a calm, neutral expression and is dressed in a black top.

Photo by Reza Filsoofi.

Through the collection of clay and the creation of clay dust prints, I transform earth’s residue into an immersive language and an elemental script of memory and migration.”

Raheleh Filsoofi, a collector of soil and sound, is an itinerant artist and community advocate. Filsoofi’s work revolves around themes of movement, immigration, and social activism. Clay and sound serve as her primary expressive mediums, enabling her to create diverse narratives through multimedia installations and immersive sound performances. Her art disrupts the borders that exist between us and seeks a more inclusive world, illuminating and challenging policies and politics.

Filsoofi has exhibited nationally and internationally. Recent and upcoming exhibitions and performances include works at the Nasher Museum of Art (Durham, NC, 2026), the Frist Art Museum (Nashville, TN, 2026), Telfair Museums (Savannah, GA, 2025), the Gibbes Museum of Art (Charleston, SC, 2024), Untitled Art (Miami Beach, FL, 2024), and Sharjah Biennial 15 (Sharjah, UAE, 2023). She is the curator of the inaugural Clay Performance program at National Council on Education for the Ceramic Arts (NCECA) 2026, establishing a new performance-focused initiative within the conference.

She is the 2025 recipient of the NCECA Innovator Award, the 2025 recipient of the National Endowment for the Arts (NEA) Art Projects Grant, the 2023 recipient of the Joan Mitchell Fellowship, the 2022 winner of the 1858 Contemporary Southern Art Award, and the 2021 recipient of the Southern Prize Tennessee State Fellowship. She is an Assistant Professor of Ceramics in the Department of Art at Vanderbilt University and holds a secondary appointment at the Blair School of Music. Filsoofi received her MFA in Fine Arts from Florida Atlantic University and a BFA in Ceramics from Al-Zahra University in Tehran, Iran.

Donor -This award was generously supported by donors of the USA Fellowship Awards program.

This artist page was last updated on: 01.14.2026

A person wearing a white headscarf and black shirt holds a clay plate close to their mouth, appearing to bite or taste its surface against a black background.

Still from BITE by Raheleh Filsoofi, 2021–ongoing. Ceramic objects and performance.

An installation view of a gallery with deep blue walls featuring a row of terracotta vessels displayed in a recessed niche, each connected by black audio cables trailing to the floor. A framed artwork hangs on an adjacent wall, and the room is softly lit with a polished wood floor.

At the Edge of Arrival by Raheleh Filsoofi, 2025. Transmedia Installation, ceramic, sound, wire, vide, dust painting, and dust poems. The Halsey Institute of Contemporary Art, Charleston, SC.

Still from ARGILLOTYPE (Painting and Printing with Dust) by Raheleh Filsoofi

Argillotype (Painting and Printing with Dust) by Raheleh Filsoofi

Video by Ali Ahmadi