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20 Years of United States Artists

President and CEO Judilee Reed on the need for systems-focused efforts to improve conditions for artists.

Header graphic. Constructed numbers read 20. A line of type swerves across the numbers, it reads: Artists. All ways. Always. Additional text reads "Celebrating 20 years of supporting artists."
Author -Judilee Reed Date -03.17.2026

The potential for artists to thrive is at the heart of United States Artists (USA). For twenty years, USA has provided unrestricted awards to artists across the country — recognizing the extraordinary diversity of artists and creative practitioners who shape our nation's cultural life and affirming their essential contributions to our collective imagination, well-being, and civic vitality.

From the beginning, our awards program has done something powerful: it celebrates visionary artistic and cultural practitioners across disciplines, geographies, and communities. It heightens public awareness. It captures imagination. It affirms that artists working in every corner of the country deserve recognition and trust. That celebration matters deeply — not only to the recipients, but to the broader field of arts and culture.

Two decades in, we have come to understand that celebration and sustainability must move together. Recognition alone is not enough. Grant support is essential — and so too are the structural conditions that make creative and cultural practices sustainable over time.

An award, however meaningful, cannot by itself meet all the needs of artists who are navigating rising costs of living and limited access to benefits or protections.”
Judilee Reed

Unrestricted Support as an Act of Care

USA was founded in direct response to the elimination of federal funding for individual artists. We believed then, as we do now, that artists should be trusted to know what they need. Our unrestricted United States Artists Fellowships are built on that principle.

Each year, we award grants in the form of fellowships to artists across every discipline with flexible funding that can be used for anything — from rent to research, healthcare to experimentation. It is an act of trust: to affirm that the artist, not the funder, is best positioned to decide what sustains their practice.

That trust-based approach has had remarkable results. Fellows tell us that unrestricted support gives them not only time and space, but confidence — the freedom to take risks, to rest, and to innovate on their own terms. They use the award to reduce debt, care for their families, restore their health, and invest more deeply in their practice. In doing so, the fellowship does more than fund a moment — it stabilizes lives and expands possibility.

And yet we have listened closely to what artists tell us about the conditions in which they work. An award, however meaningful, cannot by itself meet all the needs of artists who are navigating rising costs of living and limited access to benefits or protections.

As we rely on artists for meaning and connection, we must be equally committed to securing their stability.”
Judilee Reed

Thriving Requires Acts of Celebration and Sustainability

The cultural ecosystem depends on the artists we celebrate publicly and on the vast and interconnected ways in which their creative labor sustains communities every day — artists teaching, organizing, preserving knowledge, healing, experimenting, and contributing in important ways to cultural life. The visible and the less visible are interdependent. Celebration generates momentum, while infrastructure is what gives that momentum continuity.

At USA, our evolution as an organization reflects that understanding. In addition to unrestricted funding, we offer tailored professional services through our Artist Services initiative — connecting fellows to financial advisors, legal counsel, and wellness resources. And since the beginning of artists services over five years ago, we have come to see that the best kind of financial support is coupled with the kind of centered, human care that helps artists navigate the full complexity of their lives.

And, through artists' own reflections, we know that services alone cannot correct structural instability. The conditions shaping artists' lives — access to healthcare, housing affordability, tax policy, labor classification, intellectual property protections — are ultimately determined by public policy. When those systems fail to support or include creative workers, no single grant or technical program can compensate.

  • Rosten Woo is leading a seated discussion with a group of people in the lobby of Santa Monica's City Hall. On the walls of the lobby are a controversial mural. The chairs are arranged in a circle format and the discussion participants span many races, ethnicities, genders, and ages.

    Rosten Woo leads a City Hall Mural Reframe discussion in Santa Monica, 2024.

    Photo by Kenneth Lopez.

  • A person sits on a clear plastic or glass container in front of a large, unruly pile of construction debris and trash. They wear a black t-shirt, brown pants, and sneakers, with mid-length dark hair. The debris behind them consists of collapsed cardboard boxes, tangled pieces of wood, metal rods, plastic sheets, and other discarded materials. The setting appears to be an outdoor industrial site or landfill. The scene is dominated by the chaotic, messy background, which contrasts with the person’s calm seated posture.

    Maia Chao at the Recycled Artist in Residency (RAIR) in Philadelphia in 2023.

    Photo by Neal Santos.

  • A man wearing a blue shirt, black pants, and black fedora hat holds a guitar and stands in front of a microphone on a large stage with a purple floral background.

    Aristotle Jones performing for the Arts in our Community Conference at the West Virginia Culture Center in Charleston, 2024.

    Photo by Steve Brightwell.

  • The backside of the heads of audience members are blurry in the foreground as Set Hernandez emerges in the background, facing the crowd and holding a microphone with their right hand. They wear a denim jacket and a Palestinian keffiyeh. Behind them is a solid black wall.

    Set Hernandez speaking at a panel titled, “Collaborative Filmmaking, Accessibility and Editing” during DOC NYC Pro 2023.

    Photo by DOC NYC.

  • Photographed from behind, Mina is silhouetted with two other creative team members surrounded by glowing computer monitors and technical equipment. She faces the stage bathed in golden theatrical lighting. On the earth-covered stage are members of the cast and a striking sculptural element — a large, angular piece vibrantly lit. The theater space features visible architectural elements including exposed balconies on both sides with theatrical rigging overhead.

    Mina Morita in technical rehearsal for Nia Akilah Robinson's The Great Privation (How to flip ten cents into a dollar) at Woolly Mammoth, 2025.

    Photo by Adam Tolbert

  • A person seated at a large upright weaving loom inside a softly lit studio space. They are mid-process, weaving an intricate Chilkat-style robe, an Indigenous Northwest Coast textile distinguished by its hand-twined wool and cedar fibers. The upper section of the weaving features a striking pattern of stylized human faces, rendered in geometric blocks of yellow, blue, black, and white.

    Lily Hope working on Bone of Knowing Chilkat Dancing Blanket, a collaboration with Sydney Akagi. Juneau, Alaska, 2025. Commissioned by The de Young Museum, San Francisco.

    Photo by Sydney Akagi.

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That is what compelled hundreds of people and core partners, including USA, to launch the National Arts Policy Alliance (NAPA), a national effort to move toward systemic reform. NAPA brings together artists, funders, and cultural workers to advocate for policies that recognize creative labor as labor — deserving of the same protections, benefits, and economic rights afforded to other professions. 

For United States Artists, NAPA is the first in what will be many systems-focused efforts to improve conditions for artists.

Artists are too often treated as exceptional in ways that are romantic, even heroic — but economically precarious. We celebrate their vision while excluding them from the safety nets available to other workers. A thriving cultural ecosystem requires more than admiration; it requires structural alignment. If artists are essential contributors to our democracy — shaping public discourse, preserving cultural tradition, fostering civic imagination — then the policies that govern economic life must reflect that reality. Thriving cannot depend solely on grants. It must be embedded in the frameworks that shape wages, access to capital, healthcare access, retirement security, and worker protections.

Infrastructure, in this sense, is foundational to artists' ability to flourish. Unrestricted awards generate powerful signals of trust and recognition, and infrastructure ensures that signal reaches more people, more consistently — so that support becomes cumulative rather than episodic. These commitments deepen each other. Celebrating the diversity of artists across the country expands public imagination, and building the infrastructure to sustain that work ensures the imagination can endure.

It will take genuine collaboration across sectors — artists and cultural institutions, bankers and funders, policymakers and advocates — to build an ecosystem in which creative people can truly flourish.”
Judilee Reed

The Next 20 Years Starts Now

The landscape for artists today is more precarious than ever. The gig economy has reshaped how creative labor is valued and compensated, and our systems have not kept pace with the realities of how artists work. Few other professionals are expected to sustain and grow their craft while simultaneously subsidizing their lives through unrelated employment to the same degree.

At the same time, artists are at the center of our most urgent conversations — about justice, climate, health, and democracy. They preserve endangered cultural knowledge. They foster empathy. As we rely on artists for meaning and connection, we must be equally committed to securing their stability.

If we believe artists are essential, our support must reflect that belief — not only in how we celebrate them, but in how we invest in the conditions that allow them to commit to their craft.

Philanthropy alone cannot create lasting change. It will take genuine collaboration across sectors — artists and cultural institutions, bankers and funders, policymakers and advocates — to build an ecosystem in which creative people can truly flourish.

Twenty years in, our answer to this challenge is more complete than ever. It takes trust — extended through unrestricted funding and genuine recognition. It takes structure — the kind embedded in policy and finance. And it takes sustained commitment from all of us who believe that when artists thrive, our communities don't just survive. They flourish. And when artists flourish, so do we all.