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Akea Brionne

She // Her // Hers

Arts-Based Researcher

Detroit, MI

Akea, a Black woman with long light brown hair tied in a knot on top of her head, smiles at the camera in front of a gray background. She wears a colorful top, large circular golden earrings, and a hoop in each nostril.
Before certain weapons became feared, they were created and embraced as tools. Technology is a tool that I used to fear, but I understand now that my commitment to viewing it as a weapon had kept me from realizing it's also a mirror. Now, I've decided to embrace my role as a student, which has allowed me to deepen my relationship with myself, my spirituality, my ancestors, and our collective histories/futures as human beings.”

Akea Brionne is an arts-based researcher working at the intersection of lens and textile media and artificial intelligence. Brionne's practice analyzes the contemporary consequences of Western colonial and imperial histories and their suppression of black and indigenous ways of life and being, specifically in the Americas and Caribbean. Her practice analyzes these themes by examining the byproducts of socialization under such systems and how the erasure of ancestral cultures and collective global histories manifest in contemporary identity politics. The themes explored in these topics include investigations of cultural assimilation as a means of survival, oral storytelling, and radical imagination as a means of preservation and knowledge dissemination/reclamation, migration (both forced and voluntarily) and its role in cultural immersion/fusion, and the performance of identity and its relationship to social geography. Brionne’s research is employed through the use of photographic history, textile design theory, and the intersectional use of artificial intelligence, digital collage, and textiles.

Brionne received a dual degree (BA/BFA) in Photography and Humanistic Studies from the Maryland Institute College of Art. She received an MFA in Photography from the Cranbrook Academy of Art as a Gilbert Fellow. She is dually represented by Library Street Collective (Detroit) and Lyles & King (New York). Brionne is originally from New Orleans, was raised in Baltimore, and currently lives and works in Detroit.

Donor -The Knight Arts + Tech Fellowship is generously supported by the John S. and James L. Knight Foundation.

This artist page was last updated on: 05.28.2025

A weaving of a Black woman whose body is overlain with blue glitter. She sits facing the viewer in front of a background of large colorful shapes, birds, trees, and plants.

Breadcrumbs by Akea Brionne, 2024. Digitally rendered image woven on jacquard, glitter, and rhinestones, 4 × 4 feet.

A colorful weaving depicting four women. One woman sits at a table facing the viewer and looking downward. Another woman, sitting behind the first woman and to her right, holds a cigarette and looks downward. She wears a blue glittery dress. Behind them, another woman leans out of a window, holding up a cup in one hand and looking directly at the viewer. To her right, a fourth woman stands in a doorway, leaning against the door jamb. The walls in the work are covered in colorful shapes, forms, and flowers.

When I'm Alone by Akea Brionne, 2024. Digitally rendered image woven on jacquard, glitter, and rhinestones, 60 × 48 inches.

A weaving of a Black woman wearing a black-and-white striped garment. Her face and hands are overlain with blue glitter. In front of a background of four colorful squares, she sits on a red surface, with a potted plant and a vessel next to her.

Edge of Time by Akea Brionne, 2024. Digitally rendered image woven on jacquard, sand, glitter, and rhinestones, 48 × 48 inches.