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Announcing the 2025 Knight Arts + Tech Fellows

Five new media artists have been named Knight Arts + Tech Fellows

A woman wearing a black top, black pants, and black boots sits on a bench in the middle of an empty, dark room. She is lit from above by soft red light.

State of Labor by Antonia Wright, 2024. Multichannel immersive sound installation, generative dimensions. Installation image from Pérez Art Museum Miami.

Photo by Lazaro Llanes, courtesy Pérez Art Museum Miami.

Author -USA Staff Date -05.28.2025

7 minutes min. read

Today, the John S. and James L. Knight Foundation announced the recipients of the 2025 Knight Arts + Tech Fellowship, an initiative that supports artists exploring innovative approaches to technology and new media. Administered by United States Artists, the Fellowship awards five artists annually with unrestricted grants of $50,000.

Launched in 2021, the Knight Arts + Tech Fellowship recognizes artists who are expanding the boundaries of creative practice through emerging technologies — including artificial intelligence, augmented and virtual reality, immersive installations, video game design, digital fabrication, and software-based work. Fellows use these tools in thoughtful, radical, or poetic ways, pushing the field forward and critically engaging its possibilities.

A group of roughly half a dozen people in construction workwear and hardhats stand outside amidst a heaping pile of trash, trash cans, and a large particle board structure housing multiple industrial fans. Debris circles over the vortex of the fans and falls through the air all around while a videographer nearby captures the tumultuous scene.

Film shoot of tornado generator machine for Pandemonium by Michelle Lopez, 2024. 360-degree film for performance at the Franklin Institute Planetarium. Filmed at RAIR Philly.

In addition to the unrestricted $50,000 award, recipients gain access to financial planning support and are featured in Shift Space, the fellowship’s annual online publication fostering dialogue among artists, writers, and technologists. Coinciding with today’s announcement is the release of Shift Space 5.0, the latest edition of the publication. Featuring essays, poetry, and prose, this year’s issue continues to explore critical ideas and experimental practices shaping the intersection of art and technology.

Artists have always shaped how we understand the world. The Knight Arts + Tech Fellowship celebrates that enduring power while embracing new tools to do it,” said Kristina Newman-Scott, Vice President for Arts at Knight Foundation. “This fellowship is about more than technology. It’s about investing in visionary artists whose practices challenge dominant narratives, expand civic imagination, and invite us to see and feel differently. Through Shift Space and their individual work, these Fellows are not just experimenting with media, they are reshaping cultural discourse, bridging disciplines, and helping us build more connected, expressive communities. We are proud to support them, not just for what they make, but for how they move us forward."

As technological advancement increasingly shapes our collective reality, this year’s Knight Arts + Tech Fellows offer ambitious engagements with these tools — recasting them as pathways to liberation, reimagined pedagogy, and radical self-authorship.

A few people stand in a large, empty, dark space with their backs to the viewer. They are facing projections of colored laser lights.

And now you do what they tell you by Antonia Wright, 2024. 4 laser lights, original audio score, and speakers, 4 minutes. Installation image from The Caboose Hudson during Upstate Art Weekend.

Photo by Daniel Kukla.

The 2025 Knight Arts + Tech Fellows are:

Akea Brionne (Detroit, MI) is an arts-based researcher working at the intersection of lens and textile media and artificial intelligence. Brionne's practice analyzes the contemporary consequences of Western colonial and imperial histories and their suppression of Black and Indigenous ways of life and being, specifically in the Americas and the Caribbean.

Antonia Wright (Miami, FL) is a Cuban-American artist born in Miami, Florida. Through a multimedia practice of video, coding, performance, photography, sound, light, and sculpture, Wright explores systems of power. The body is a principal element in her work.

Ash Arder (Detroit, MI) is a Detroit-based, interdisciplinary artist whose research-based works expose, deconstruct, or reconfigure physical and conceptual systems, especially those related to ecology and/or industry. Arder manipulates physical and virtual environments to explore materials, mark-making, mechanical portraiture, and sound design as tools for complicating the dynamics of power between humans, machines, and the lands they occupy.

Matthew Angelo Harrison (Detroit, MI) is a Detroit-based sculptor who uses resin to encapsulate objects from his ancestral past and his diasporic present. His work is in the collection of the Whitney Museum of American Art; de Young Museum; Detroit Institute of Arts; ICA Miami; Denver Art Museum; Broad Art Museum, East Lansing, MI; Museum of Contemporary Art, Chicago; and more.

Michelle Lopez (Philadelphia, PA) is an interdisciplinary sculptor and installation artist. She explores feminist and race politics through the lens of a minority body — as a skin, a shell, a mirrored reflection, an object of desire, a protest. Her research and exploitation of industrial materials and technologies, exposes our finite societal systems by inverting cultural tropes through her process of building.

Four Black boys stand in a carpeted room with white walls. They are interacting with a white box containing sand and two large rocks. Two of the boys have one hand on the rocks. The word "Holler" is visible on the back wall. There are posters hanging on another wall.

Two Stoned by Ash Arder, 2022. Rocks from late father’s yard, paint, sand, wood, interactive sensors, electronics, and sound, dimensions variable.

Photo by My Proulx.

By providing unrestricted funding alongside platforms for critical engagement, the Knight Arts + Tech Fellowship strengthens the arts and technology ecosystem through long-term investment in the individuals and artistic practices that fuel innovation. The fellowship’s impact extends far beyond a single grant cycle, fostering a community among artists and cultural workers and laying the foundation for continued growth across the field.

The 2025 Fellows were selected by Knight Foundation, United States Artists, and a national panel of field leaders, including artist Roopa Vasudevan, the Afrofuture Strategies Institute Founder, and Director Ingrid LaFleur, and Co-Director of the School for Poetic Computation Neta Bomani.

To date, the Knight Arts + Tech Fellowship program has awarded twenty artists, each cohort spanning various practices, disciplines, and mediums, grounded in storytelling, speculative thinking, and community engagement. This year’s cohort builds on that legacy — foregrounding collaboration, education, and cross-disciplinary experimentation as they shape the evolving landscape of art and technology.

A weaving of a Black woman whose body is overlain with blue glitter. She sits facing the viewer in front of a background of large colorful shapes, birds, trees, and plants.

Breadcrumbs by Akea Brionne, 2024. Digitally rendered image woven on jacquard, glitter, and rhinestones, 4 × 4 feet.

Complementary to this award is Shift Space, an annual digital publication that explores these intersections and highlights the Knight Arts + Tech Fellows. Guest edited by Taraneh Fazeli and Cannach MacBride and produced by United States Artists, Shift Space 5.0 features writing on each of this year’s Fellows, along with essays and conversations reflecting on the field. Contributors to this issue include Alexis Pauline Gumbs, DeForrest Brown, Jr., Denise Ryner, Monica Uszerowicz, Rua M. Williams, Tamir Williams, and Tawana Petty.

A sculpture rests on an aluminum stand in front of a plain white backdrop. The sculpture is composed of an African wood mask evoking the silhouette of a pregnant person's torso, suspended within a translucent cubic form. One side of the form is curved and convex, echoing the curve of the pregnant belly contained within.

Precious Belly by Matthew Angelo Harrison, 2023. African wood mask, polyurethane resin, acrylic, and aluminum stand, 40 × 12.5 × 8.5 inches.

Photo by Timothy Johnson.

In addition to the Knight Arts + Tech Fellowship announcement, the foundation is now accepting applications for the Knight Art + Tech Expansion Fund. This initiative supports individual artists, nonprofit arts organizations, and arts collectives based in Miami, FL; Akron, OH; and Detroit, MI. The fund is designed to help integrate technology into artistic practice and expand audience engagement. Eligible expenses include equipment and software purchases, infrastructure upgrades, staffing or contractor support, website and app development, and digitization or archiving projects. Applications are currently open through June 20, 2025.

For more information on the Knight Arts + Tech Fellowship and the 2025 cohort of recipients, please visit kf.org/artstechfellows2025.

ABOUT THE JOHN S. and JAMES L. KNIGHT FOUNDATION

We are social investors who support a more effective democracy by funding free expression and journalism, arts and culture in community, research in areas of media and democracy, and in the success of American cities and towns where the Knight brothers once published newspapers. For more, visit kf.org.

ABOUT THE KNIGHT ARTS + TECH FELLOWSHIP

The John S. and James L. Knight Foundation launched the Knight Arts + Tech Fellowship in 2021 to celebrate and support artists working with innovative approaches to technology and new media. Knight Arts + Tech Fellows use emerging technologies and media, including software and coding, immersive installation, sound art, bioart, AI, augmented and virtual reality, digital fabrication, and more, in thoughtful, radical, or poetic ways to expand the field and critically contribute to its discourse. Technology may be a tool, platform, byproduct, or end product within an artist’s practice.