Michelle Lopez
She // Her // Hers
Interdisciplinary Sculptor and Installation Artist
Philadelphia, PA

“My research has taken a deep dive into multidisciplinary experiential installation that captures catastrophe on an epic scale. As I pluck the tension between the seeming-ephemerality of mass technology and the concrete materiality of human somatics, the work is emerging as a multisensory experience of vast and collective chaos imprinted onto the minute layers of each viewer’s physical body.”
Michelle Lopez is an interdisciplinary sculptor and installation artist. She explores feminist and race politics through the lens of a minority body — as a skin, a shell, a mirrored reflection, an object of desire, a protest. She processes the violence of recent American political events, beginning with 9/11 and going into our present global warfare and societal collapse. Her research and exploitation of industrial materials and technologies, exposes our finite societal systems by inverting cultural tropes through her process of building. She uses the body in space and performance to consider how global-scale violence impacts us somatically in profound but invisible ways.
Recent solo exhibitions include: Ballast & Barricades, ICA Philadelphia (2019–20) and Commonwealth & Council, LA (2023). Two-person and group exhibitions include Ballroom Marfa, Texas (2024); CCA Wattis Institute, San Francisco (2025); and the Institute of Contemporary Art, Los Angeles (2024). Lopez received a Guggenheim Fellowship in the category of Fine Arts (2019); Pew Center for Arts & Heritage Fellowship (2023 Exhibitions Fellowship and 2024 Artist Fellowship); and is represented by Commonwealth & Council, Los Angeles.
Lopez is an Associate Professor in the MFA Fine Arts Program at The Weitzman School of Design, University of Pennsylvania and leads the Sculpture Division.
Donor -The Knight Arts + Tech Fellowship is generously support by the John S. and James L. Knight Foundation.
This artist page was last updated on: 05.28.2025

Installation view of Ballast & Barricades by Michelle Lopez, 2019–20. Steel, wood, rubble, scaffolding, and house fragment, variable dimensions. Installed at ICA Philadelphia.

Blue Angels by Michelle Lopez, 2011. Mirrored stainless steel, automotive paint, powder-coated aluminum, 2 × 3 × 10 feet.

Film shoot of tornado generator machine for Pandemonium by Michelle Lopez, 2024. 360-degree film for performance at the Franklin Institute Planetarium. Filmed at RAIR Philly.

Installation view of PROCESS LAB by Michelle Lopez, 2024. Industrial fans, violists, screen fabric, paracord, animation, projection, speakers, subwoofer, microphones, amplifiers, mechanized platform in foreground (steel, 6 linear actuators, code, Arduino), and rubble, dimensions variable, 25 minutes. Installed at the Fabric Workshop in Philadelphia.