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Ash Arder

She // Her // Hers
They // Them // Theirs

Interdisciplinary Artist

Detroit, MI

Ash, a Black person with her hair parted and slicked back, stands against a grey wall.
I use various technologies to disrupt traditional modes of relating between humans, objects, and the natural world. I merge the technical and the artistic to speculate about the conditions for a more socially just and climate conscious world.”

Ash Arder is an interdisciplinary artist whose research-based approach works to expose, deconstruct, or reconfigure physical and conceptual systems, especially those related to ecology and/or industry. Arder manipulates physical and virtual environments to explore materials, mark-making, mechanical portraiture, and sound design as tools for complicating dynamics of power between humans, machines, and the lands they occupy.

Residencies include Banff Centre for Arts and Creativity (Alberta); Michigan Central x Newlab (Detroit); University Musical Society (Ann Arbor); Bemis Center for Contemporary Art (Omaha); Recess (Brooklyn); and A Studio in the Woods (New Orleans). Recent exhibitions include a solo show at the Cranbrook Art Museum and group shows at the California African American Museum in Los Angeles and Swiss Institute in New York. Arder received an MFA from the Cranbrook Academy of Art.

Donor -The Knight Arts + Tech Fellowship is generously supported by the John S. and James L. Knight Foundation.

This artist page was last updated on: 05.28.2025

Four Black boys stand in a carpeted room with white walls. They are interacting with a white box containing sand and two large rocks. Two of the boys have one hand on the rocks. The word "Holler" is visible on the back wall. There are posters hanging on another wall.

Two Stoned by Ash Arder, 2022. Rocks from late father’s yard, paint, sand, wood, interactive sensors, electronics, and sound, dimensions variable.

Photo by My Proulx.

Two wooden structures sit side by side on top of black plastic crates in a gallery space. Both structures are filled with soil, and one also has a shelf holding audio engineering tools and cables. On the back wall, there is a black sculpture.

Broadcast #4 by Ash Arder, 2024. Wood, plastic crates, Black Bottom Detroit soil, brass, hardware, seeds, paper, speakers, mixer, drum machine, audio cables, and sound composition, dimensions variable.

Photo by Chris Gardner, courtesy of NXTHVN.

A small white refrigerator device sits on a square white pedestal. In the center of the refrigerator is a window, through which a key illuminated by blue light is visible. In the background, three photographs hang on the wall.

Consumables (11092024) by Ash Arder, 2024. Display refrigerator, solar-powered battery, storage system, butter, key chain, and vinyl, dimensions variable.

Photo by Daniel Pérez, courtesy of Swiss Institute.