Skip to main content

Header Navigation

News

2025 Year in Review

Celebrating 20 Years of Supporting Artists.

From a low vantage point looking up, strips of gossamer fabric ribbons are mounted on metallic scaffolding. The fabric has been dyed a pale yellow with prints of orange leaves, ochre circles, and bold red diagonal lines. Glimpses of sky peek through the translucent fabric.

Sankofa by Jerome Haferd Studio, 2023.

Photo by Anna Dave.

Author -USA Staff Date -12.17.2025

5 min. read

In 2025, United States Artists entered its 20th year of commitment to artists and creative practitioners. Throughout the year, we listened to learn more about what artists need most: how we can offer durable, sustainable, holistic support, now and into the future. Building from our center — the USA Fellowship program and Initiatives awards — we are working to expand how we work to improve conditions for all artists in all ways, as always — across America, through growing efforts to address public policy, capital support, and communications.

Culminating an intentional period of research, the multi-organizational National Arts Policy Alliance (NAPA) entered its early implementation phase. NAPA, a coalition incubated within USA in partnership with organizations across the country, is dedicated to building collective power among creative and cultural workers to establish cross-sectoral economic rights for all. In addition, we strengthened our focus on Artist Services, a vital benefit that provides additional resources — in tandem with the award support — for awardees to meet needs such as financial planning. We encourage awardees to utilize the funds creatively and determine what support means to them. 

By listening to and working directly with artists, we learn how to best support them. In the same spirit, we learn from collaborating and building coalitions with institutions who share this vision. 

With great enthusiasm, we are joining forces with Artadia for the much-missed Assembly which will convene the last few years of our respective Fellows and Awardees in events taking place in 2026 and 2027. We also look forward to announcing our newest cohort of USA Fellows on January 14, 2026. In the meanwhile, we hope you enjoy highlights of our grantmaking, Initiatives, and events and publishing efforts from the past year.

USA Fellowship

This past January, we were thrilled to award fifty exceptional artists and collectives with the 2025 USA Fellowship. Working in ten disciplines in twenty-one US states, spanning all career stages, these artists center origin and belonging, exploring identity, and regional specificity. While awarded in specific disciplines, many of their practices push against and expand these definitions. Often, they are collaborators, following the adage that we go further, together. 

Supporting artists means supporting creative approaches to collectively move forward.”
Tzu-Ju Chen
  • A woman works on a small piece of metal with a tool in one hand and a torch in the other.

    2025 USA Fellow and Jewelry Artist Tzu-Ju Chen torches a small piece of metal.

    Photo by Jeffrey Engel.

  • A woman with long hair stands holding a large fuzzy microphone in front of a fountain. She is wearing a black jacket and sunglasses.

    Mia Masaoka creating a field recording in front of a fountain in Rome, Italy.

    Photo courtesy of the artist.

  • A person seated at a workbench in a creative, workshop-like environment, illuminated by geometric triangle shapes made of neon LED lights glowing in pink, blue, and purple hues, arranged symmetrically against a wire mesh. These glowing triangles create a striking, futuristic backdrop. A white mannequin torso stands near the left edge of the frame, adding an artistic and experimental atmosphere. The overall mood is vibrant and industrious, with a blend of artistry and technology.

    2025 USA Fellow Myles de Bastion, a Technical Artist, Musician, and Creative Altruist, seated at their workbench illuminated by triangular LED lights.

    Photo courtesy of the artist.

  • A Black man wearing a patchwork quilted jacket sitting on a palette of 3000 pounds of clay in a warehouse space with kilns in the background. There are big windows in the room and in front of him is a sculpture sitting on a cart in front of him on the right.

    2025 USA Fellow and sculptor Kahlil Robert Irving sits on a palette of 3,000 pounds of clay in his studio.

    Photo by Whitney Curtis/Washington University.

  • A woman wears safety glasses and looks up at a u-shaped object mold she is burning with a hot flame torch. Her face is framed under the object with flames in the foreground.

    2025 USA Fellow and Glass Artist Anjali Srinivasan torching metal.

    Photo by Maria del Carmen Montoya.

  • A black-and-white photograph of a woman standing in front of a large table in the center of her art studio surrounded by large abstract paintings. The photo is shot from a middle distance demonstrating the large scale of the paintings in comparison to her body.

    2025 USA Fellow Caroline Kent surrounded by large abstract works in her studio.

    Photo by Evan Jenkins.

Current slide :

Initiatives Awards

We continued to partner with organizations to administer award programs and strengthen artist-centered ecosystems of support in communities across the country. In 2025, five new media artists received the Knight Arts + Tech Fellowship, an award supported by the Knight Foundation. Five craftspeople received the Maxwell/Hanrahan Awards in Craft Award, supported by the Maxwell/Hanrahan Foundation, and the Kenneth Rainin Foundation awarded four visionary Bay Area artists working across dance, film, public space and theater with the Rainin Arts Fellowship. 

We announced a new partnership with the Wagner Foundation, and launched the Wagner Arts Fellowship, supporting an inaugural class of three artists in the Greater Boston area who are deeply embedded within their communities and at a pivotal moment in their artistic trajectory.

The Joyce Foundation announced the recipients of the 2025 Creative Impact Awards, a one-time funding opportunity honoring 60 artists and 57 organizations that have enriched the Great Lakes region through creativity and culture. 

Finally, as part of the culminating year of the Disability Futures Fellowship, a program supported by Ford Foundation and Mellon Foundation, artists who received a Disability Futures Fellowship nominated 43 organizations to receive awards in recognition of their tireless support for disabled artists and their projects.

In a time when the cultural power of artists and art orgs are being challenged by abuses of power in the government, this fellowship guarantees my artistic freedom for a little while longer.”
Christy Chan, 2025 Rainin Fellow, interviewed in KQED.
  • Neal, a Black man with gray facial hair, wears a ball cap and brown coveralls over a light shirt. He is standing in a covered outdoor space with tables displaying various produce and wares in the background. Buildings and cars are also visible outside of the space. Beside Neal are two tall stacks of wood, with baskets placed on top of them.

    Neal Thomas, Maxwell/Hanrahan Award in Craft recipient, poses with his baskets.

    Photo by Bob Karp.

  • Matthew, a Black man with short dark locs and facial hair, stands in a room in between two sculptures. He wears a cream-colored t-shirt and black pants. His right hand is holding his left forearm.

    Matthew Angelo Harrison, a Knight Arts + Tech Fellow, poses between his sculptures.

    Photo courtesy of SCAD.

  • An in-progress view of four life-size, 3D print-outs of digitally scanned figurative maquettes scattered around a studio. They will function as structural cores to be modeled on with clay for future bronze casting.

    Worker Statues of Chinatown by Wen-ti Tsen, a Wagner Arts Fellow.

  • A dancer on a tarima (platform) with a bright pink rebozo (shawl) performs in front of a field of crops.

    Impromptu dance performance by Vanessa Sanchez, a Rainin Arts Fellow.

    Photo courtesy of Ayudando Latinos a Soñar (ALAS).

Current slide :

Events and Publishing

We published the final two issues of our homespun online artists’ quarterly, New Suns. Awardees of the Disability Futures Fellowship assumed the mantle of that last issue of New Suns, reflecting on the passage of time and what comes next. Shift Space, a digital publication that explores new media landscapes, also released its fifth and final issue. We are proud of the great body of visual art, poetry, and critical writing held within these publications and are grateful to the myriad artists and creative practitioners who trusted us with their work. What we learned from facilitating these projects, we continue to carry forward in ongoing editorial endeavors. 

Over the year, we hosted numerous conversations with USA Fellows about their practices and shared them on our website and in our biweekly newsletter, which also highlights news and events from USA awardees. 

This year, we hosted events that ranged from intimate community convenings in New York and Miami to explorations of a new kind of public gathering: our listening parties. These events supported works-in-progress by USA Fellows, and shared early iterations to captive audiences. Angel Bat Dawid (2025, Music) previewed Blk Metropolis Apocalypse in a performance with D-Composed. In Minneapolis, we hosted a reading by Danez Smith (2021, Writing) against the backdrop of the Grantmakers in the Arts conference. 

It’s artists showcasing work in spaces run by artists! And for all who are touched by culture. What an incredible thing to behold.”
Anne Ishii, USA Program Director
  • Angel Bat Dawid playing the clarinet. In the frame are D-Composed members Khelsey Zarraga (violin) and Anya Brumfield (violin).

    Angel Bat Dawid playing the clarinet. In the frame are D-Composed members Khelsey Zarraga (violin) and Anya Brumfield (violin).

    Photo by Sarah K. Joyce

  • Angel Bat Dawid (center) playing the clarinet with D-Composed members Wilfred Farquharson (viola), Lindsey Sharpe (cello) on her left and Anya Brumfield (violin), Khelsey Zarraga (violin) to her right.

    Angel Bat Dawid (center) playing the clarinet with D-Composed members Wilfred Farquharson (viola), Lindsey Sharpe (cello) on her left and Anya Brumfield (violin), Khelsey Zarraga (violin) to her right.

    Photo by Sarah K. Joyce

  • The image features a close up of Danez Smith, a Black person wearing a berry toned hat that reads  ‘Audre Lorde’ and white t-shirt that reads ‘Rondo Ave.’ holds several sheets of paper in their hands as they speak into a microphone in front of them.

    Danez Smith reads from several sheets of paper to a crowd at USA Reading Party held at Modus Locus in Minneapolis in October 2025.

    Photo by Thai Phan-Quang.

  • The image shows the back of a seated crowd listening to Danez Smith, a Black person wearing a berry toned hat that reads  ‘Audre Lorde’ and white t-shirt that reads ‘Rondo Ave.’, as they speak into a microphone. Smith holds a notebook and papers in their lap.

    Danez Smith reads to a crowd.

    Photo by Thai Phan-Quang.

  • The image features eleven smiling staff members from United States Artists standing next to a sign that reads: United States Artists, 20 Years Supporting Artists.

    Staff at Community Dinner in NY. From left to right: Anne Ishii, Shivani Somaiya, Judilee Reed, Tess Haratonik, Jessica Gomez Ferrer, Sara Slawnik, Isabelle Hong Martin, Mandy Thomas, Kate Blair, Adia Sykes, and Ezra Benus.

Current slide :